Nang 6: Manifestos
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Type
Book
Authors
ISBN 13
9788894196269
Category
Unknown
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Publication Year
2019
Publisher
Pages
115
Abstract
A 10-issue magazine dedicated to cinema in Asia.
Issue 6 is dedicated to Manifestos. At various moments in cinema history, filmmakers have stepped forth to denounce, to challenge, to argue for or against, to communicate new values, ideas and ideals. They have demanded changes to the prevailing aesthetic, industrial or political order. Some might dismiss such manifestos as little more than cries in the dark. But these public statements have often proved influential and/or prophetic, encompassing not only filmmaking and the moving image but also politics, history, society and more. This Issue reproduces and critically dissects 12 manifestos (self-described and otherwise) hailing from a range of contexts, regions and eras. Although each of these documents were meant first and foremost to speak to the times in which they were written, this Issue invites us to consider how compelling and just as relevant they remain in the present day.
Issue 6 is dedicated to Manifestos. At various moments in cinema history, filmmakers have stepped forth to denounce, to challenge, to argue for or against, to communicate new values, ideas and ideals. They have demanded changes to the prevailing aesthetic, industrial or political order. Some might dismiss such manifestos as little more than cries in the dark. But these public statements have often proved influential and/or prophetic, encompassing not only filmmaking and the moving image but also politics, history, society and more. This Issue reproduces and critically dissects 12 manifestos (self-described and otherwise) hailing from a range of contexts, regions and eras. Although each of these documents were meant first and foremost to speak to the times in which they were written, this Issue invites us to consider how compelling and just as relevant they remain in the present day.
Description
Featuring the following manifestos
1987 TAIWAN CINEMA MANIFESTO (PROVIDING THE SPACE FOR AN ALTERNATIVE CINEMA TO EXIST) | Taiwan, 1987
I SINEMA MANIFESTO | Indonesia, 1999
TOWARD AN OPEN CINEMA | South Korea, 1983
ON THE ART OF THE CINEMA | North Korea, 1973
WHAT IS WRONG WITH INDIAN FILMS? and WHAT AILS INDIAN FILM-MAKING | India, 1948 and 1970
THE ZERO-MINUTE FILM SCHOOL and DIGITAL DEKALOGO: A MANIFESTO FOR A FILMLESS PHILIPPINES | Philippines, 2000 and 2001
PARTISAN CINEMA | Kazakhstan, 2014
NOUVELLE VAGUE MANIFESTO; OR, HOW I BECAME A DISCIPLE OF PHILIPPE GARREL | Japan, 1997
SHAMANS · ANIMALS | China, 2011
KUMAN PICTURES: A MANIFESTO | Malaysia, 2018
1987 TAIWAN CINEMA MANIFESTO (PROVIDING THE SPACE FOR AN ALTERNATIVE CINEMA TO EXIST) | Taiwan, 1987
I SINEMA MANIFESTO | Indonesia, 1999
TOWARD AN OPEN CINEMA | South Korea, 1983
ON THE ART OF THE CINEMA | North Korea, 1973
WHAT IS WRONG WITH INDIAN FILMS? and WHAT AILS INDIAN FILM-MAKING | India, 1948 and 1970
THE ZERO-MINUTE FILM SCHOOL and DIGITAL DEKALOGO: A MANIFESTO FOR A FILMLESS PHILIPPINES | Philippines, 2000 and 2001
PARTISAN CINEMA | Kazakhstan, 2014
NOUVELLE VAGUE MANIFESTO; OR, HOW I BECAME A DISCIPLE OF PHILIPPE GARREL | Japan, 1997
SHAMANS · ANIMALS | China, 2011
KUMAN PICTURES: A MANIFESTO | Malaysia, 2018
Number of Copies
1
Library | Accession No | Call No | Copy No | Edition | Location | Availability |
---|---|---|---|---|---|---|
Main | 46 | 791.43095 NAN 2019 | 1 | Yes |